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Gear Heads - Adam

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Guitars:

 Fender Stratocaster, Made in Japan ca. 1984. “Ol’ Blue.” I’ve had this thing since I was a kid. MIJ strats are killing, especially the ones from the 80’s.

1974 Fender Strat. “Babz.”A great sounding, resonant guitar. Recorded ½ the tunes on my album, Seersucker on this; and 90% of the tunes on Bald Walter’s Curve with it. The original frets are pretty worn, and agitate my Carpal Tunnel. Seriously considering a refret so I can play it as much as I used to. 

2001 Gibson Les Paul Florentine. “Georgia.” Super-cool, uber-rare, semi-hollow Les Paul. Think a cross between a 335 and a Paul. Great for Jazz and Fusion. The other half of my cd is this thing.

Amps:

1972 Fender Deluxe Reverb. Non-master silverface amp with a Pyle Driver (same speaker Derek Trucks uses in his Super). The ultimate club amp, lightweight, killer tone, not ridiculously loud

Mesa F-100. The outdoor gig amp. This thing cranks. Ridiculous tone, sounds soooo good. Very loud and very heavy, usually only play it for outdoor gigs.

Effects:

Multiple Ibanez TS-9’s

Ridiculously rare ST-9, the Super Tube Screamer (only made a few years in the early 80’s, mostly sold in Europe, additional mid boost knob, kinda like a TS-9 on crack).

RAT

MXR Phase 90- Original Script-logo BUD box phase 90. First year of production (1974).

Maxon PT-999. Backup for the Phase 90.Close but no cigar.

Moog MF-101 Low-pass Filter—envelope filter.

Maxon AD-900—Is there a better delay out there?

Keeley Compressor- ROSS compressor clone.

Fulltone Deja-Vibe2—Univibe clone. Machine Gun!!!

Line 6 Echo Park. I know, I know. I only bought it because it has a “backwards” setting, so you can get that late 60’s Hendrix/Beatles thing going. The “analog” and “tape” settings aren’t bad at all. I won’t mind using it as a backup for the AD-900.

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